Thursday, April 05, 2012

 

Adapt


At the conclusion of Wednesday’s rain-soaked Grote Scheldeprijs race outside Antwerp, several riders hit the slick pavement just beyond the finish line. Saxo Bank's Jonathan Cantwell collided with photographer Taz Darling of Rouleur magazine, who suffered, at last report, a fractured eye socket, ruptured spleen, and a broken collarbone. Cantwell suffered a punctured lung, while the other riders involved got off more lightly.

Of all sports, cycling has one of the more intimate relationships with the weather. Unsheltered by stadiums, without rain delays and tarps, without a clock to expire and locker rooms to retreat to, road racing is exposed to the sun, wind, and precipitation like no other competitive sport. Riders survive bad weather, maybe even use it to their advantage; as fans, we embrace it.

Bad weather has been the catalyst for many of the sport’s fondest memories – Breukink and Hampsten on the Gavia in 1988, Hinault at Liege in 1980, Museeuw at the 2002 Roubaix, Evans’s strade bianche ride in the 2010 Giro d’ Italia. But those moments often come at a peril that is often under-recognized, even though part of their very value is in the danger, the risks the athletes take in pursuing victory despite the circumstances. The Scheldeprijs incident highlighted that risk, and Darling’s injury illuminated how the sport's dangers can sometimes extend beyond the riders and even beyond the finish line.

What can we do to reduce the risks? In many cases, nothing. As any U.S. amateur racer has been warned by countless pre-race releases, "bicycle racing is an inherently dangerous sport." Most so for the riders, but occasionally and unexpectedly so for support staff, media, organizers, and spectators. Darling’s injuries demonstrate that today, but there are examples to be had every year: the motorcycle crashes that punctuated last year’s snow-plagued Tour of California, the various deadly incidents that marred the long history of the Tour de France. To try to write rules around every possible circumstance that could be encountered on the open road, if this, do that, to try to bubble-wrap one of the last great daring adventures in organized sport, would hamstring races and do the sport a disservice. Rigid regulatory frameworks and road cycling have always been a poor fit.

What we need to do is encourage people – organizers, officials, teams, and media alike – to think. To make and accommodate changes based on current, on-the-ground circumstances, rather than what was planned for days, weeks, or months before. Apply relevant, accumulated knowledge to the situation at hand. Crazy, I know.

The conditions that led to the Scheldeprijs finish crash were utterly predictable. The surrounding area had been dry for weeks, leaving a substantial layer of accumulated diesel on the road, ready to be reinvigorated by those first few raindrops. The potential for slick roads was evident from the time the first clouds gathered. The amount of painted road markings near the finish was also plain to see, and anyone who’s been to a couple of rainy bike races knows what that means.

A quick review of the pancake-flat Scheldeprijs’s 100-year history will also reflect that it tends to come down to a storming bunch sprint amongst some fairly hefty (by bike racing standards) northern bruisers. It is not a mountain top finish, with 120-pound climbers twiddling across the line. The final has a certain momentum behind it. It’s also a known fact that winning professional bike races – even mid-week ones – is not easy, so it was always fairly likely that participants would be a little cross-eyed and oxygen deprived as they crossed the line.

The final factor? As Bicycling’s Bill Strickland pointed out via Twitter, “Knowing Taz, bet she shot all the way to impact.” I don’t know her at all, but I’m betting that’s probably true as well. Not just because good photographers are as committed to getting the shot as sprinters are to getting the win, but also because there’s not much depth perception to be had through a zoom lens. The longer the lens gets, the more compressed the depth perspective becomes, and it gets a lot harder to tell whether the rider in the viewfinder is 50 meters away or five. I don't mention this to blame the victim, but to point out that “get out of the way” isn’t a very viable back-up plan considering the job photographers are doing and the equipment they use to do it.

Given all those factors, what should have been done at the Scheldeprijs? Granted, I’m commenting a day later from the cheap seats across the Atlantic, but the immediate action as conditions worsened should have been to move the photographers back from the line. The diagonal, offset lines that the photographers stand behind are typically marked in tape or chalk (or, sometimes, by an official holding his arms out). Moving them farther up the chute would have been maybe a 10 minute job for one or two staff members. Doing so could have mitigated the effects of riders having to brake hard and swerve to the center of a painted, greased roadway, all within microseconds of maxing out their cardiovascular systems.

Some of the photographers would have complained, but they’re mostly shooting with 300 to 400mm lenses. They’d have managed the extra distance. And I’m sorry, if you don’t either have or know how to access that equipment, chances are you shouldn’t be staring down the barrel of a professional bunch sprint to begin with. Since the photographers would still have been stacked together, the playing field would have remained level: nobody would have been out-shot by a competitor due to moving the whole mess a few meters farther back.

Would it have helped? Maybe not. Cantwell and the others might have slid out whether the photographers were where they were, further back, or not there at all. And they still may have slid into someone or something else - it's clear in the footage that wheels are coming right out from under riders at the slightest movement. But given the conditions, I’m betting a few extra meters of breathing room couldn’t have hurt.

The catch, of course, is that there was a curve to the left after the line that might have complicated moving the photographers further back. It’s hard to tell from the finish shots, and again, I wasn’t there. Sometimes finish areas are tight, crammed into medieval town centers that weren’t meant to accommodate cars, much less TV trucks, dope control trailers, scaffolding, and team buses. Things get tricky, but in the end, that’s not an acceptable response to safety issues. Work on it. Figure it out. Or find a place that can safely accommodate what you need to accommodate. Think. Adapt.

Broomwagon

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Comments:
Nice common sense post, in stark contrast to those only thinking of their own interest. Nice call on Vantomme as well, I saw the Katusha rider in photos, but did not know who it was. Respect.
 
I wonder why the photogs can't be put up on a bridge across the road a bit after the finish line? There's really NO good reason for a bunch of them to be clogging up the road just after the line whether the road is wet, painted, or perfectly fine. I'm amazed there are not more incidents like this. They don't let photogs block the track just after the finish line at F1 or MOTOGP, why do the bicycle guys have to be the ones hitting the brakes and swerving just a few meters after an all-out sprint?
 
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